Search: Starring Dylan Baker

This was clearly a family affair for Delpy and a labour of love, but this film inevitably is taking a risk reheating the five-year-old meal that was 2 Days in Paris.

Despite its scale this is a small story, and at that level it's classic science fiction.

By avoiding serial cliches, director Joe Berlinger touches on a different level of revelation.

Todd Solondz's investigation into the suburban psyche is so disturbing, it's funny, although when humour slides into the realms of nightmare, laughs congeal in the throat.

The final twist comes across as amateurish and lazy.

Condon lightens the academic atmosphere with an entertaining montage of interview sessions.

Ray feels like a real person plunged into an increasingly absurd situation, which is ultimately the source of a lot of the film’s comedy and its sometime tragedy.

It is hard not to be entertained.

One admires the cleverness of it, while wondering if there really are people who live like this.

The crime is only half the reason why Murder One becomes addictive.

There is no grand adventure, no melodramatic pathos, no broad comedy, just life as an eternal struggle for survival and for the chance of thriving, but also with a sense of warmth.

Planes, Trains & Automobiles is an eternal tribute to how great Martin used to be before he sold himself out to family movies and how wonderful Candy was as an actor and a person.

There are long stretches when nothing much happens

The effects are eye-popping and the look of the film is exquisite.

Whooshing between buildings at high speed over and over again feels like an overdose of Ritalin. The three-way baddie climax is nauseating, unexciting and full of contrivances.

Anderson and Einbinder are a terrific pairing.

It takes a genius to make the Kennedys boring. That man is director Roger Donaldson.